![]() Other improvements include the addition of two new Color modes – the new Powder Blue and Duotone modes now bring the total to 15. The contrast based autofocus in the original Sigma fp proved pretty plodding, so the new hybrid phase-detect capability in the fp L is very welcome, and comes with automatic face and eye detection and subject tracking modes. There’s no in-body stabilization and many L-mount lenses don’t have optical stabilizers – but the Sigma fp L does have EIS (electronic image stabilization) which brings a 1.24x crop factor. ![]() ![]() If you shoot 4K, you can get a zoom ratio of up to 2.5x, and in full HD it can go to 5x. Essentially, you can zoom ‘digitally’ without losing resolution because you’re already starting with a surplus of megapixels. The 61MP resolution has no direct impact on the video specifications – both the fp and the fp L capture full width 4K video at up to 30p, though the extra resolution of the fp L ushers in a new concept – a Digital Crop Zoom feature. In theory, this may lead to a slight softening of fine detail but should prevent any moiré interference effects. Interestingly, in the pursuit of all-round image quality, Sigma has decided to buck the trend and include a low pass filter. That 61MP sensor deserves a closer look because it makes the fp L the joint highest resolution full frame camera you can buy, alongside the Sony A7R IV (also 61MP). (Image credit: Rod Lawton/Digital Camera World) The EVF-11 is an optional extra, but typically offered with the camera as a cost-saving kit.
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